The second season at the Center for Italian Modern Art on Medardo Rosso is concluding this weekend. Here is an overview of CIMA’s second year.
Medardo Rosso in the Lydia Winston Malbin Collection
A look at the collector Lydia Winston Malbin, her connection with Medardo Rosso, the Il Milione Gallery in Milan, and Alfred Barr Jr. and Margaret Scolari Barr.
CIMA Travel Fellow Laura Moure Cecchini Reports from the Archives of the Galleria d’Arte Moderna in Rome
A blog-post geared towards US scholars who want to do research in Italy but don’t know how to proceed. CIMA’s inaugural Travel Fellow Laura Moure Cecchini reports from the field on a visit to the archive of the Galleria Nazionale d’Arte Moderna (GNAM) in Rome
Medardo Rosso’s “Impressione d’Omnibus” by CIMA Fellow Ilaria M. P. Barzaghi
Watch the video below to learn more about one of Medardo Rosso’s most interesting pieces from CIMA spring fellow Ilaria M. P. Barzaghi. The video is about one of the earliest works by Medardo Rosso currently on view at CIMA Center for Italian Modern Art.
CIMA Fellow Francesco Guzzetti on the Cy Twombly Exhibition at Gagosian Gallery
In light of CIMA’s current installation juxtaposing the work of Medardo Rosso and Cy Twombly, CIMA fellow Francesco Guzzetti shares his views on the Cy Twombly show now being presented at Gagosian Gallery in New York.
An Exploration of Medardo Rosso’s Sculpture “The Bookmaker” by CIMA Fellow Ilaria Cicali
Edgar Degas and Medardo Rosso, who were good friends, were both passionate about horse-racing.
In honor of the 147th running of the Belmont Stakes, CIMA has a new video out about Medardo Rosso’s sculpture, The Bookmaker
“I work for the future”: Medardo Rosso and Seriality
Medardo Rosso was ahead of his time, and he knew it. He was a photographer himself, because he knew that professional photographers weren’t able to properly see his work, to understand and represent it.