Carlotta Castellani is an Italian art historian and archivist specialized in nineteenth- and twentieth-century art. She obtained her PhD in 2016 in Art History, Literature and Cultural Studies in a joint program with the Universities of Florence and Paris IV Sorbonne. Her thesis explored “The myth of the artist and of the work in Balzac’s Le chef d’œuvre inconnu.” She is currently completing a book edited by Max Seidel with her collaboration on this subject.
Since October 2017 she has been an associate scholar at the Kunsthistorisches Institut in Florenz – Max-Planck-Institut, where, since 2009, she has been the scientific assistant of Max Seidel, working on exhibitions and publications of twentieth-century Italian art (Francesco Clemente. Winter Flowers in New York City, Siena, Complesso museale Santa Maria della Scala, 28 June – 2 October 2016).
Since 2014, she has been responsible for the ordering and analytic study of the historical archive of the German artist residency Villa Romana, founded in Florence in 1905 by the painter Max Klinger. She published the results of this study in her book Il Salone Villa Romana. Uno spazio espositivo internazionale nella Firenze anni Ottanta curato da Katalin Burmeister. Ricostruzione di un archivio (Gli Ori, 2017). Her recent publications also include a book on the German avant-garde journal G. Material zur elementaren Gestaltung edited in Berlin between 1923-1926 (G. Una rivista costruttivista nella Berlino degli anni Venti «G» di Hans Richter, Cleup, 2018).
For her CIMA fellowship, her research will focus on the relationship between Marino Marini and the French painter Pierre-Auguste Renoir during the years of World War II, with special regard to the topic of the representation of the female body.