MEMBERS ONLY: VISIT TO CHAIM GROSS HOME & STUDIO

19 April 2017

CIMA Members at the Friends ($100) level and above are invited to enjoy a private tour and prosecco aperitivo of the home and studio of sculptor Chaim Gross (1904-91), today the Renee & Chaim Gross Foundation, a member with CIMA of the SoHo Arts Network. This historic Greenwich Village townhouse and artist’s studio space remains as it was during Gross’ lifetime. In addition to some 10,000 works by Gross, including sculptures, drawings, and prints, the foundation maintains an extensive archive and Gross’s large personal collection of African, Oceanic, Pre-Columbia, American, and European art. We will also view the temporary exhibition, Building Identity: Chaim Gross and Artists’ Homes and Studios in New York City, 1953-74.

CIMA Members will receive a private invitation link to RSVP for this event

Not a CIMA Member? Join us! Members receive free admission to CIMA, access outside of regular public hours, a copy of the annual catalogue, and invitations to exclusive events and receptions.

The Disquieting Muses: An Evening of Poetry Inspired by de Chirico

10 April 2017

In celebration of National Poetry Month, join us Monday April 10 for a special evening of ekphrastic poetry* inspired by Giorgio de Chirico, subject of the current exhibition at the Center for Italian Modern Art. De Chirico’s painting Le Muse Inquietanti (The Disquieting Muses) of 1918, in particular — now on view at CIMA — inspired works by both Sylvia Plath and Mark Strand.

Poet Mark Wunderlich will read Sylvia Plath’s poems inspired by de Chirico’s paintings as well as a new work composed for the occasion. Jessica Strand will read Mark Strand’s poems inspired by de Chirico and speak of the role of art in her late father’s work. And poets Michael Dumanis and Mary Jo Bang will also read work inspired by de Chirico’s paintings.

*ekphrastic poetry is writing created in response to works of art.

FREE, RSVP REQUIRED

Presented in collaboration with the Civitella Ranieri Foundation and with the generous support of the Maurice English Poetry Award. (more…)

Contemporary Perspectives on de Chirico: Lisa Yuskavage, Stephen Ellis, and Matvey Levenstein

21 March 2017

Join us for a special evening as CIMA Fellow Giovanni Casini leads a conversation on Giorgio de Chirico with artists Lisa Yuskavage, Stephen Ellis, and Matvey Levenstein.

Giorgio de Chirico’s wide-ranging body of work, especially his neo-baroque late paintings, has historically baffled critics, and the often contradictory developments of his long artistic career have made it difficult to situate his work within established narratives of modernism. MoMA’s 1982 retrospective, held a few years after the artist’s death, neatly omitted or discounted some two-thirds of the artist’s career, choosing to highlight the Metaphysical period — and showing how problematic the definition of a late de Chirico is. These later works, however, with their dense art historical references, methods of replication or (self-)citation, and ironic approach to painting, have drawn the eye of many contemporary practitioners (including of course Giulio Paolini, one of the subjects of CIMA’s exhibition). The blatantly kitsch taste of de Chirico’s late self-portraits, together with the negation of originality and uniqueness, as well as his pursuit of appropriation and the copy became especially relevant in relation to artistic practices developed in the 1980s.

$10 guests; free for CIMA members and students with valid ID

BOOK NOW!

 

 

Program Schedule and Artist Biographies:

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MEMBERS ONLY: PRIVATE TOUR OF “MARISA MERZ: THE SKY IS A GREAT SPACE” AT THE MET BREUER

07 March 2017

CIMA Members are invited to join us for an exclusive tour, outside of public hours, of “Marisa Merz: The Sky is a Great Space” at the Met Breuer, led by the exhibition curator Ian Alteveer, Associate Curator in the Department of Modern and Contemporary Art. This exhibition is the first major retrospective in the United States of works by the Turin-based artist (b. 1926), the sole female protagonist of the Arte Povera movement. Spanning five decades of work, the show includes exquisite examples of her early experiments with nontraditional art materials and processes, such as her hand-worked knitted copper wire objects; mid-career installation works; and the emblematic teste or heads that she began creating in the mid-1970s. 

CIMA Members will receive a private invitation link to RSVP for this event

Not a CIMA Member? Join us! Members receive free admission to CIMA, access outside of regular public hours, a copy of the annual catalogue, and invitations to exclusive events and receptions.

On Mimmo Rotella: Germano Celant in conversation with Elizabeth Mangini

06 March 2017

Join us for an evening with art historian and curator Germano Celant, exploring the early work of Mimmo Rotella (1918-2006), on the occasion of the opening of a new exhibition at the Gladstone Gallery, “Mimmo Rotella: Selected Early Works,” realized in collaboration with the Mimmo Rotella Institute in Milan. Celant, the editor in charge of the Rotella catalogue raisonné project, will be in conversation with Elizabeth Mangini, Associate Professor and Chair of Visual Studies at the California College of the Arts and an art historian who specializes in European art of the 1960s-70s.

The Gladstone show, which encompasses works from 1953-1962, bookends two pivotal moments for Rotella in the United States: his year as a Fulbrighter “Artist in Residence” at the Kansas City University in 1951-52, and 1962, when two of his works were included in the “New Realists” exhibition at the Sidney Janis Gallery, which presented the most important artists involved in international Pop Art. This talk will explore the pioneering décollage and retro d’affiche techniques that Rotella developed in these years, as well as the impact that his relations with artists such as Alberto Burri, Robert Rauschenberg, Cy Twombly, Salvatore Scarpitta, and others had on his creative process; and look to place Rotella in a larger context of post-war European and American art.

FREE; reservations required

MISSED THE PROGRAM? WATCH THE VIDEO! 

Reception to follow. Reception and videography generously underwritten by Gladstone Gallery.

PROGRAM SCHEDULE

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At the Met: Germano Celant and CIMA Fellows on Marisa Merz

05 March 2017

Join us Sunday March 5th at 2pm at the Metropolitan Museum of Art’s Bonnie J. Sacerdote Lecture Hall in the Uris Center for Education for a conversation with renowned art historian and curator Germano Celant, led by CIMA Fellows Maria Bremer and Fabio Cafagna. Presented in connection with the retrospective at the Met Breuer, “Marisa Merz: The Sky is a Great Space,” this program will explore Marisa Merz’s work and the context of the 1970s in Turin. Ian Alteveer, assistant curator at the Met and the organizer of the Met’s presentation of the Merz exhibition, will offer a introduction to the exhibition at the start of the program.

The program is expected to last one hour. Audience members will be able to visit the Marisa Merz exhibition following the lecture, by walking over to the Met Breuer building, which is open on Sunday until 5:30pm.

No RSVP is required.

Read Fabio Cafagna’s review of the Marisa Merz exhibition on CIMA’s blog, or in Italian on La Voce di New York.

ARMORY WEEK OPEN HOUSE

04 March 2017

In honor of Armory Arts Week, CIMA is offering a free open house on Saturday March 4th from 11am to 6pm. RSVP is required.

Come enjoy the Giorgio de Chirico – Giulio Paolini / Giulio Paolini – Giorgio de Chirico exhibition, in CIMA’s exquisite and intimate loft setting.

Informal tours of the exhibition led by our scholars in residence will be offered throughout the day.

RSVP here!

 

Drawing Night

22 February 2017

Join us for a special Drawing Night, in collaboration with the International Studio & Curatorial Program opening CIMA’s unique and intimate setting to students and artists and encouraging them to interact with, analyze, and draw inspiration from Giorgio de Chirico and Giulio Paolini’s works.

 

Megan Sullivan, ISCP 2016–17 artist in residence sponsored by the Governing Mayor of Berlin, will lead the event by opening with reflections on her artistic practice, drawing, and questions raised by the works on exhibition at CIMA. Participants will have the opportunity to sketch for approximately an hour, before coming back together to discuss the works and share insights into what was learned in the process.

Paper has been provided by the legendary Italian papermaker Fabriano, who recently celebrated the 750th anniversary of papermaking in Fabriano, Italy.

Limited to 30 participants. Ticket: $8, free for CIMA Members. 

BOOK NOW!

 

Event Schedule:

6pm Registration

6:10 Introduction by Megan Sullivan

6:30-7:30 Drawing Time

7:30 Discussion

8pm Conclusion of Program

 

About the artist:
Megan Francis Sullivan
lives and works in Berlin, Germany. She studied at Cooper Union, New York and Städelschule, Frankfurt. Recent solo exhibitions include Kunsthalle Bern, 2016; Objectif Exhibitions, Antwerp, 2015; Midway Contemporary Art, Minneapolis, 2014; and Mathew Gallery, Berlin, 2014.

 

An Evening with Edoardo Albinati

21 February 2017

Join us for a conversation between Edoardo Albinati, Italian writer and Winner of the 2016 Strega Literary Prize, and Alessandro Giammei, Society of Fellows in the Liberal Arts, Princeton University.

The discussion will address Albinati’s authorship and literary work surrounding the relationships between reality and fiction, Italian masculinity and patriarchy, education and the city of Rome, baroque and mannerism.

Please note that the conversation will be in Italian.

Free; RSVP required here.

The event is presented in collaboration with Casa delle Letterature, Rome, Italy.

Logo Casa delle Letterature

Post-It: Reconsidering the Postmodern in Italian Art and Performance

14 February 2017

Day 1: Monday February 13 (1:30pm – 6pm)
Day 2: Tuesday February 14 (10am – 6pm)

The Center for Italian Modern Art is pleased to announce the Study Day, Post-It: Reconsidering the Postmodern in Italian Art and Performance Since 1965, organized in connection with the exhibition Giorgio de Chirico – Giulio Paolini / Giulio Paolini – Giorgio de Chirico and held in the days leading up to the 105th meeting of the College Art Association. Co-sponsored by the Italian Art Society, this Study Day seeks to bring together scholars from various disciplines and approaches to consider the place of 20th-century Italian art in relation to postmodernism.

 


DAY ONE: Monday February 13 (1:30pm – 6pm)
Free admission; Reservations required

RESERVE DAY 1!


DAY TWO: Tuesday February 14 (10am – 6pm)
Reservations: $15, free for CIMA Members and Students.

Ticket includes lunch

RESERVE DAY 2!

 

 

FULL PROGRAM SCHEDULE:
Monday February 13

1:30-3:00
Viewing of the Giorgio de Chirico – Giulio Paolini Exhibition and Registration Welcome

 

3:00-3:30
Denis Viva
Adjunct Professor of Contemporary Art History, University of Trento; Adjunct Professor Museum Practices, University of Udine
Postmodern Ancestors: Giorgio De Chirico according to Renato Barilli

 

3:30-4:00
Anna Mecugni
Independent Curator and Scholar, New Orleans, LA

The Postmodern Question in Italy: de Chirico, Gruppo 63, and Ontani’s Tableaux, 1965-78

 

4:00-4:30
Maria Bremer
CIMA Fellow 2016-17
A Relational Self: Epigonism and Pathos in Vettor Pisani’s Performance: “L’Eroe da camera,” 1972

 

4:30-5:00
Coffee break

 

5:00-5:45
Keynote Speaker:  Lucia Re
Professor of Italian and Gender Studies, UCLA
Neo-Avant-Garde and Kitsch: The Gendering of Postmodern Art in Umberto Eco, Gillo Dorfles and Lucia Marcucci

 

5:45-6:15

Q&A Session

 

Tuesday, February 14

 

10:00-10:30
Registration and Welcome

 

10:30-11:00

Romy Golan
Professor of 20th-Century European Art, The Graduate Center, CUNY
Magic Realism Redux: Pistoletto and Casorati

 

11:00-11:30
Lily Goldberg
Department of Painting & Sculpture, Museum of Modern Art, New York
Schermi, Luna e Televisore: The White Monochromes of Fabio Mauri

 

11:30-12:00
Stefano Chiodi
Associate Professor of Contemporary Art History, Università Roma Tre
Lo Scorrevole: Vettor Pisani’s “Theatre of Cruelty”

 

12:00-12:30
Q&A Session

 

12:30-2:00
Lunch + Tours of Exhibition

 

2:00-2:30
Tenley Bick
Independent Scholar, Los Angeles, CA
Productive Plagiarism: Michelangelo Pistoletto and Vettor Pisani’s Plagio (1970–1976)

 

2:30-3:00
Jennifer Blessing
Senior Curator of Photography, Solomon R. Guggenheim Museum, New York
Gina Pane: Feminism and Performance

 

3:00-3:30
Q&A Session

 

3:30-4:00
Coffee break

 

4:00-4:30
Jon Snyder, Professor of Italian Studies, UC Santa Barbara
“In a station of the metro”: William Kentridge in Naples

 

4:30-5:00

Emily Braun
Distinguished Professor, Hunter College and the Graduate Center, CUNY
Men without Women: The Transavanguardia Revisited

 

5.00-6:00
Roundtable Q&A

 

In collaboration with:

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