Caterina Caputo received her PhD (Doctor Europaeus) from the University of Florence, Pisa, and Siena. Her work addresses topics at the crossway of collecting, art market, cultural dissemination, and transnational exchanges related to Surrealism, Avant-gardes, and Modernity. She worked as a tutor at the University of Florence, where she also took part in academic research groups. Starting from 2016 she is a member of the Paul Mellon Centre Doctoral Research Network in London.
Caterina has recently turned her PhD thesis into a book titled Collezionismo e mercato. La London Gallery e la diffusione dell’arte surrealista, 1938–1950 (Firenze, Pontecorboli: 2018). She is currently contributing to the Art Market Dictionary (De Gruyter 2020). She presented papers in several international conferences in Europe and the U.S., and published articles on Surrealism, Giorgio de Chirico, and collecting in academic journals, including “Ricerche di storia dell’arte” and “Archivio dell’arte metafisica: Studi OnLine.” In 2017 she participated in the École de printemps (the International Consortium on Art History) and to the Centre Pompidou Summer School with a topic concerning Surrealists’ collections. Recently, Caterina has been awarded the Leon Levy postdoctoral fellowship at the Center for the History of Collecting at the Frick Collection.
For the CIMA Fellowship Caterina will examine the Rino Valdameri’s collection of Contemporary Italian Art, in particular focusing on the metaphysical artworks presented in this significant collection assembled during the 1920s and 1930s.