Marica Antonucci is a Ph.D. candidate in the history of art at Johns Hopkins University, where she specializes in twentieth-century art. Her dissertation analyzes the intersections of artistic creation, political commitment, and conceptions of community during the turbulent 1960s and 1970s in Italy. From 2018–2020, she was a predoctoral fellow at the Bibliotheca Hertziana – Max Planck Institute for Art History, working within the “Rome Contemporary” research initiative in the department of Prof. Tristan Weddigen. Previously, she served as the Carlson/Cowart Fellow in the Department of Prints Drawings and Photographs at the Baltimore Museum of Art from 2017–2018. She holds an M.A. from the University of Pennsylvania and a B.A. from New York University. During her time at CIMA, she will be examining Mario Schifano’s relationship to postwar realist currents, both domestic and international, in order to shed light on overlooked aspects of the artist’s practice. In so doing, her project opens onto broader historiographical issues including the limits of realism itself.