20 March 2018 / 6:00 pm - 8:00 pm
Join us for a special Drawing Night and Aperitivo, led by artist Beatrice Scaccia. CIMA’s opens its unique setting to artists of all levels to analyze and draw from works on view by Alberto Savinio. These paintings, conceived over just a few years in the late 1920s and early 1930s, nevertheless traverse a wide range of techniques.
Pencils have been generously donated by Blick Art Materials and paper has been provided by the legendary Italian
All skill levels welcome!
Limited to 30 participants.
General Admission: $15
FREE for CIMA Members.
About the artist: Beatrice Scaccia is a visual artist and writer living and working in New York City. Originally from Italy, Scaccia studied Fine Art at the Fine Art Academy in Rome and Writing at the Minimum Fax Editor (Rome) and the Holden School (Turin). In 2006 she co-founded the non-profit art spaceINART with renowned artist Gino Marotta, where she was the Director and educator for five years. Located in Piazza de Spagna, INART’s programs included both instruction and exhibition of the intersectionality between visual, performing and written arts. Scaccia’s practice has long been an amalgamation of the written word and visual language. Her work has been featured on Artnet News, Flash Art, The Art Newspaper, Domus, Marie Claire, Arte Mondadori, Drome Magazine, InsideArt, Art Fuse, Sole24Ore, Exibart, Atribune.
*Please note that guests are allowed to bring their own supplies but only sketching materials are permitted. No water media, ink, or solvents are allowed in the galleries.
Refreshments have been generously donated by:
29 March 2018 / 6:00 pm - 8:00 pm
DIOSCURI: Ryan and Trevor Oakes in conversation with Brett Littman
When they were young, brothers Giorgio de Chirico and Alberto Savinio, while not actually twins, thought of themselves as two halves of one mind and called themselves the Dioscuri—the Greek name for Castor and Pollux, the twin brothers of Greek and Roman mythology.
Trevor and Ryan Oakes are identical twin brothers and artists who have developed a collaborative practice. They too feel like two halves of one mind. Being mirror-image twins (one is right-handed, the other left-handed), their strengths tend to be complementary, similar to the way the right brain and left brain contribute differing approaches to cognition.
The Oakes’ creative collaboration centers on an investigation into human perception of light and space. In the process they’ve created an entirely new method for depicting the act of seeing that uses the binocular collaboration of the two eyes in an innovative way. Their spherically concave drawings and paintings echo the curvature of the eye. Lawrence Weschler in The New York Times called their art “one of the most intriguing breakthroughs in the depiction of physical reality since the Renaissance.”
Join us for an evening with the Oakes Twins, in conversation with Brett Littman, Executive Director of The Drawing Center, to reflect on modes of seeing, brotherly collaboration, and the art of Alberto Savinio.
$15; CIMA members free.
6pm – registration and viewing of Alberto Savinio
6:20pm – conversation program, followed by Q&A
7:30pm – program concludes, viewing of exhibition
8pm – doors close
06 April 2018 / 6:00 pm - 8:00 pm
Exploring Alberto Savinio’s Theater Work with Luca Valentino
Alberto Savinio experimented with every theatrical genre available to him throughout his career, working as a composer, costume and set designer, playwright, librettist, stage director, and theatre critic. In discussing a selection of this eclectic twentieth-century master’s theater productions, operas, and radio dramas, Luca Valentino will shed light upon the creative process behind this highly-original artist’s combinations of sound, image, and word. Featuring excerpts from original radio performances, this presentation will begin with Savinio’s involvement with the Parisian avant-garde milieu before WWI, touch on his critical-yet-cautious public production during the Fascist Ventennio, and culminate in his post-WWII resurgence, manifested by his works for the Italian National Radio and the Maggio Musicale Fiorentino festival, as well as Milan’s Piccolo Teatro and Teatro alla Scala.
Note: This is the first of two evenings organized, in collaboration with the Italian Institute of Culture, by the Center for Italian Modern Art on the occasion of its Alberto Savinio exhibition. It will take place at CIMA, at 421 Broome Street in SoHo. Click here for more information on the second half of the program, to be presented at the Italian Institute of Culture at 670 Park Avenue on Monday, April 9.
FREE; RSVP required.
Luca Valentino is Professor of Performing Arts at the Conservatory of Music of Alessandria, Italy, where he is also Artistic Director of Scatola Sonora, an international festival of small-scale opera and musical theater named after a collection of Alberto Savinio’s writings. Over the course of his three decades directing for the stage, Valentino has established himself as an international expert on Savinio—writing numerous essays on the artist and adapting his works for performance on stages around the world. Amongst other accolades, his book on Savinio’s theater, L’arte impura (1991), received the Premio Silvio D’Amico from Italy’s National Drama Institute.
09 April 2018 / 6:00 pm - 8:00 pm
A U.S. Premiere with Luciano Chessa and Luca Valentino
In 1951, five years after Alberto Savinio completed Vita dell’uomo, the work premiered at Milan’s La Scala Theater in a production designed by the author himself. Although intended as a key to unlocking the artist’s personal history, the ballet ironically illustrates the life cycle of an “everyman”—from birth to education, love to disillusion, and, lastly, dream to death. Throughout, the protagonist encounters characters from the artist’s earlier paintings and plays, including animal-headed businessmen and the parents in the form of “Armchair-Mama” and “Armchair-Poppa,” as seen in CIMA’s current exhibition. What might it have meant for Savinio to bring these significant figures to life on the stage?
This evening will feature the U.S. premiere of the ballet’s main scenes, performed on piano by Luciano Chessa. A slide show with a selection of Savinio’s costume designs and stage sets will provide visual context, while insightful commentary on the overall production will be provided by Savinio theater expert Luca Valentino. Expanding the discussion beyond the work itself, Valentino and Chessa will situate Vita dell’uomo in an international context, offering the audience an in-depth vision of Savinio’s idiosyncratic post-WWII poetics of music and theatre.
Note: This program takes place at the Italian Institute of Culture. It is the second of two evenings organized, in collaboration with the Italian Institute of Culture, by the Center for Italian Modern Art on the occasion of its Alberto Savinio exhibition. Click here for more information on the first half of the program, to be presented at CIMA on Friday, April 6.
FREE: RSVP required.
Luciano Chessa is a composer, conductor, performance artist, pianist, and music historian specializing in 20th-century Italian and 21st-century American repertoire. His compositions include the experimental opera Cena oltranzista nel castelletto al lago—a work of over 55 hours of fasting that was entirely livestreamed—and A Heavenly Act, an opera commissioned by the San Francisco Museum of Modern Art, with original video by Kalup Linzy. In New York alone, Chessa has been commissioned multiple times by the Performa Biennial, and in 2014 he presented three concerts at the Solomon R. Guggenheim Museum as part of the exhibition Italian Futurism, 1909-1944: Reconstructing the Universe. Chessa is the author of Luigi Russolo Futurist. Noise, Visual Arts, and the Occult (2012), the first monograph dedicated to Russolo and his “Art of Noise.” In 2009, his Orchestra of Futurist Noise Intoners (OFNI) was hailed by the New York Times as one of the best events in the arts; it continues to tour internationally. He is currently preparing the edition of Julius Eastman’s Second Symphony, and will conduct its world premiere in September 2018.