Caterina Caputo received her PhD (Doctor Europaeus) from the University of Florence, Pisa, and Siena. Her work addresses topics at the crossway of collecting, art market, cultural dissemination, and transnational exchanges related to Surrealism, Avant-gardes, and Modernity. She worked as a tutor at the University of Florence, where she also took part in academic research groups. Starting from 2016 she is a member of the Paul Mellon Centre Doctoral Research Network in London.
Caterina has recently turned her PhD thesis into a book titled Collezionismo e mercato. La London Gallery e la diffusione dell’arte surrealista, 1938–1950 (Firenze, Pontecorboli: 2018). She is currently contributing to the Art Market Dictionary (De Gruyter 2020). She presented papers in several international conferences in Europe and the U.S., and published articles on Surrealism, Giorgio de Chirico, and collecting in academic journals, including “Ricerche di storia dell’arte” and “Archivio dell’arte metafisica: Studi OnLine.” In 2017 she participated in the École de printemps (the International Consortium on Art History) and to the Centre Pompidou Summer School with a topic concerning Surrealists’ collections. Recently, Caterina has been awarded the Leon Levy postdoctoral fellowship at the Center for the History of Collecting at the Frick Collection.
For the CIMA Fellowship Caterina will examine the Rino Valdameri’s collection of Contemporary Italian Art, in particular focusing on the metaphysical artworks presented in this significant collection assembled during the 1920s and 1930s.
Fall 2018 - Spring 2019
Erica Bernardi received her Ph.D. from the University Ca’ Foscari in Venice. Her research focuses on Franco Russoli, the art historian, museologist, and director of the Pinacoteca di Brera in Milan; most recently she published the book Senza utopia non si fa la realtà. Scritti sul museo 1952-1977, based on her PhD dissertation. She is currently the curator of the Franco Russoli archive and collection, as well as collaborating with the Brera on historical research projects, and coordinating a work team regarding contemporary museology for ICOM – Italy.
After a specialization thesis on Gaudenzio Ferrari and the North Italian Renaissance, she ended up studying the criticism of the twentieth century—catalyzed by her work with Russoli’s archive. Her first project was the catalogue of La Raccolta Berenson (1962); during an internship at Villa I Tatti, Harvard University, she developed what became La nascita del Fogg museum nella corrispondenza Forbes-Berenson (1915-1928). She also catalogued and put online historical photographs from Berenson’s family archive.
During the fellowship Erica will examine the figure of Lamberto Vitali, as a critic and art collector, in relation to those artists he especially appreciated and which are featured in CIMA 2018-19 Metaphisical Masterpieces exhibition: Morandi, Carrà and Sironi.
Carlotta Castellani is an Italian art historian and archivist specialized in nineteenth- and twentieth-century art. She obtained her PhD in 2016 in Art History, Literature and Cultural Studies in a joint program with the Universities of Florence and Paris IV Sorbonne. Her thesis explored “The myth of the artist and of the work in Balzac’s Le chef d’œuvre inconnu.” She is currently completing a book edited by Max Seidel with her collaboration on this subject.
Since October 2017 she has been an associate scholar at the Kunsthistorisches Institut in Florenz – Max-Planck-Institut, where, since 2009, she has been the scientific assistant of Max Seidel, working on exhibitions and publications of twentieth-century Italian art (Francesco Clemente. Winter Flowers in New York City, Siena, Complesso museale Santa Maria della Scala, 28 June – 2 October 2016).
Since 2014, she has been responsible for the ordering and analytic study of the historical archive of the German artist residency Villa Romana, founded in Florence in 1905 by the painter Max Klinger. She published the results of this study in her book Il Salone Villa Romana. Uno spazio espositivo internazionale nella Firenze anni Ottanta curato da Katalin Burmeister. Ricostruzione di un archivio (Gli Ori, 2017). Her recent publications also include a book on the German avant-garde journal G. Material zur elementaren Gestaltung edited in Berlin between 1923-1926 (G. Una rivista costruttivista nella Berlino degli anni Venti «G» di Hans Richter, Cleup, 2018).
For the CIMA fellowship, Carlotta will study the activity of Mario Sironi as a caricaturist in the period between 1915 and 1921, with a particular attention to his the involvement in 1920 in the magazine directed by Umberto Notari «I.I.I. Le Industrie Italiane Illustrate».