CIMA interns Carly Slater and Paz Monge report on the Pierre Chareau exhibition at the Jewish Museum, closing Sunday March 26, 2017.Continue reading >>
The Met pays homage to over fifty years of the artist’s activity: from the works of the mid-Sixties, biomorphic sculptures in metal sheet and fragile weavings with nylon thread and copper wire, to the most recent production of sculptures and paintings, in which angels and sexless faces have the power of ancient icons.Continue reading >>
THIS IS A GUEST POST BY CIMA 2016-17 TRAVEL FELLOW SILVIA BOTTINELLI.
Nestled within the spaces of the Santa Cristina Convent in Bologna, the Biblioteca delle Donne (The Women’s Library) is the most prominent Italian library devoted to gender studies and feminism.
Its rooms and collections occupy part of a historical building, which…Continue reading >>
We are excited to welcome our two new Spring Fellows—Sophia Farmer and Fabio Cafagna—to CIMA, as part of our Giorgio de Chirico and Giulio Paolini season. They join Maria Bremer and Giovanni Casini, who have been here since September.Continue reading >>
The protean nature of Francis Picabia’s art is well explored in MoMA’s impressive survey, which is organized chronologically and includes all the major bodies of work that Picabia produced in his career: Impressionist, Cubist, Dadaist, Surrealist, kitschy Figurative, Abstract. The subtitle of the show, “our heads are round so our thoughts can change direction,” hints at the circularity and the extraordinary creativity of Picabia’s oeuvre.Continue reading >>
On Friday October 21, 2016, as one of the inaugural programs of the Center for Italian Modern Art’s new season dedicated to the modern master Giorgio de Chirico and leading conceptual artist Giulio Paolini, CIMA welcomed the renowned art historian and curator Germano Celant in conversation with MoMA curator Christian Rattemeyer. In front of a full house, Celant and Rattemeyer engaged in an impressive conversation moderated by CIMA 2016-17 Fellow Maria Bremer, interlacing two different generations’ curatorial perspectives.Continue reading >>
The Center for Italian Modern Art is working on a special project to bring new life to the 1927 book, Depero Futurista, a landmark of graphic design and avant-garde bookmaking, created by the Italian Futurist Fortunato Depero (1892-1960).Continue reading >>
One of the benefits of an internship at the Center for Italian Modern Art is immediate access to SoHo, – CIMA’s Summer 2016 Interns review a rebirth of the arts in this ever-changing neighborhood.Continue reading >>
The Solomon Guggenheim Museum in New York is hosting the first American retrospective of the work of László Moholy-Nagy. More than a debut, the exhibition marks a long-awaited return of the artist to the exhibition halls of the museum. Moholy-Nagy was one of the first artists to be collected and exhibited in what was originally called the Museum of Non-Objective Painting, thanks to the vision of Hilla Rebay, Solomon R. Guggenheim’s artistic advisor.Continue reading >>
Each year CIMA’s fellows select a favorite work from the exhibition and prepare a short video presentation. Enjoy these Giorgio Morandi videos!Continue reading >>