This year, for the twelfth edition of Open House New York, the event that opens the doors of hundreds of New York’s most architecturally and culturally significant spaces, with guided tours, lectures and performances, the Italian Center for Modern Art welcomed over 350 visitors.
The Italian Maestro Giorgio Morandi is presented in a new light at CIMA. The exhibition focuses on the formative decade of the 1930s and presents rare works alongside contemporary artists Tacita Dean, Wolfgang Laib, Joel Meyerowitz, and Matthias Schaller.
Summer Intern, Erica Blume, relates the ever-emotional process of de-installing a show as we end CIMA’s 2nd season on Medardo Rosso. Working closely with conservators, discoveries were made regarding the creative methods and techniques the artist used.
A blog-post geared towards US scholars who want to do research in Italy but don’t know how to proceed. CIMA’s inaugural Travel Fellow Laura Moure Cecchini reports from the field on a visit to the archive of the Galleria Nazionale d’Arte Moderna (GNAM) in Rome